'All that's left by the end is a shambling corpse, a steady, unsettling gaze from dead eyes' Helm's new EP is no fun at all.
Joined13th May 2010
Articles168
Chris Watson's recordings from Lindisfarne Island form "an imagined historical document, an abstract and fictional manifestation of what a particular place might have sounded like at a particular time".
Wisconsin drone artist's first LP in two years doesn't quite live up to its grand ambitions, says Ian Maleney.
'Listen close and listen well; you won't be able to half-ass this.' Ian Maleney reviews the new LP of improvised synth drone from Billy Gomberg.
One of London's true bass heads talks about his sound, his system and his label.
'There is definitely an element of trying to control things that are not controllable' - Norwegian avant-jazz guitarist Stian Westerhus talks to Ian Maleney ahead of his date in Dublin this week.
'They seem fixed on the idea of getting back to something real, not forward to it' - Ian Maleney reviews the debut album from Savages.
'I would say it is a form of escape from every day life but is still grounded in reality' - Mountains' Brendon Anderegg speaks to Ian Maleney ahead of their Dublin date this week.
'I think it gives me a sense of freedom - to push my awkwardness out there.' Angel Olsen speaks to Ian Maleney ahead of her shows around the country this week.
'It's very important to understand about K-X-P, honestly, we're trying to create the best band there is in the world at the moment'. Ian Maleney speaks with Timo Kaukolampi of Finnish pop-psych masters, K-X-P.